Painting with EQ

Project description: Painting with EQ can be considered an example of what Rick Altman calls the “point of audition” of the “invisible observer.” As the visual perspective changes, the acoustic equivalent is re-created using only EQ. I use the same loop throughout, but adjust equalization for each cut. A further experiment in that direction might be to re-record and remix dialogue using POV audio mixing rather than the current narrative-supporting mainstream style, already explored to an extent in some Italian Neorealist and Nouvelle Vague films.